Book Reviews
Book Review: “Millwork: Historic Millwork from 1740-1950” by Brent Hull
I recently had the pleasure of reading "Millwork: The Design and Manufacturing of Historic Millwork from 1740-1950." Read on for my thoughts on master builder Brent Hull's newest book.
This book does what the title suggests; it explores the classification and definition of doors, windows, moldings, mantles, paneled walls, built-ins and other millwork elements from early American architecture through WWll and the manufacturing age. It picks up on a familiar theme, “Man vs. Machine,” but more importantly for design and carpentry professionals, illustrates historic millwork to help us understand, authenticate, restore, and recreate historic millwork.
This is the third book by the author, Brent Hull, a home builder and millwork manufacturer whose training began at the North Bennett Street School. But “Historic Millwork from 1740-1950” covers a broader period than his previous books and does a good job of citing his sources, master builder's pattern books of the mid-19th century, followed by architectural design books, and manufacturer’s millwork catalogs, most of which are hard to find and out of print. Illustrations and diagrams from all three sources populate this book.
In addition to explaining the difference between one millwork information source and another, Hull distinguishes between the “Gentleman architect” and the “Master builder.” Clearly Hull, a home builder in Fort Worth Texas, identifies with the latter. He collects and reads with enthusiasm those pattern books which provide how-to guidance in addition to design. By understanding both, one can understand how period designs are improvised on the jobsite and vary by region.
“If you want to master historic design and room proportions, you need to be familiar with the classical approach,” the author advises. This declaration is accompanied, of course, by the well-known image of the Vitruvian Man which expresses the “wonder, the beauty and proportions of the human form.”
I like how the author gives examples of traditional buildings: the Lancaster room from an 1802 house in Virginia, the Cecil room, built in Maryland in 1740, Monticello, Drayton Hall, Gunston Hall, Winterthur and others. If the reader doesn’t absorb these millwork details from the book’s architectural drawings, he knows where and what to go look at, up close and in-person.
And who knew that historic molding tells us so much? “Moldings reflect changing societal values, priorities, taste and advancing technology,” Hull declares. He goes on to explain how hand moldings, built by craftsmen using hand-planes are individualistic whereas those made by machine after the mid-20th century, are not. But machines made curvature indoors better whereas curves by hand could have been cost prohibitive.
Georgian, Federal, Greek Revival, Gothic and all designs Victorian are nicely explained and illustrated in the book. Some of the illustrations are better than others which are copied from catalogues and are less crisp. One of my favorites are well reprinted illustrations which appear on pages 188-189 in the chapter about stairs. It shows 20 different Newell posts, each a work of art, which satisfied my Newell post fetish.
Brent Hull, master builder, designer, and millworker, has a personal library which anyone would envy. Collected over a 40-year career, Hull’s books, including his pattern books and catalogues, are well compiled and curated for our reference in “The Design and Manufacturing of Historic Millwork from 1740-1950."
Peter H. Miller, Hon. AIA, is the publisher and President of TRADITIONAL BUILDING, PERIOD HOMES and the Traditional Building Conference Series, and podcast host for Building Tradition, Active Interest Media's business to business media platform. AIM also publishes OLD HOUSE JOURNAL; NEW OLD HOUSE; FINE HOMEBUILDING; ARTS and CRAFTS HOMES; TIMBER HOME LIVING; ARTISAN HOMES; FINE GARDENING and HORTICULTURE. The Home Group integrated media portfolio serves over 50 million architects, builders, craftspeople, interior designers, building owners, homeowners and home buyers.
Pete lives in a classic Sears house, a Craftsman-style Four Square built in 1924, which he has lovingly restored over a period of 30 years. Resting on a bluff near the Potomac River in Washington, D.C., just four miles from the White House, Pete’s home is part of the Palisades neighborhood, which used to be a summer retreat for the District’s over-heated denizens.
Before joining Active Interest Media (AIM), Pete co-founded Restore Media in 2000 which was sold to AIM in 2012. Before this, Pete spent 17 years at trade publishing giant Hanley Wood, where he helped launch the Remodeling Show, the first trade conference and exhibition aimed at the business needs and interests of professional remodeling contractors. He was also publisher of Hanley Wood’s Remodeling, Custom Home, and Kitchen and Bath Showroom magazines and was the creator of Remodeling’s Big 50 Conference (now called the Leadership Conference).
Pete participates actively with the American Institute of Architects’ Historic Resources Committee and also serves as President of the Washington Mid Atlantic Chapter of the Institute of Classical Architecture & Art. He is a long-time member of the National Trust for Historic Preservation and an enthusiastic advocate for urbanism, the revitalization of historic neighborhoods and the benefits of sustainability, including the adaptive reuse of historic buildings.
