Peter Miller

What I learned at The ICAA Charleston Conference in November 2023

The Institute of Classical Architecture & Art’s inaugural conference combined art with architecture, experience with youth and education with networking. Charleston was the perfect place to hold “Enduring Places.”
Credit: Courtesy of ICAA
The Institute of Classical Architecture & Art’s inaugural conference combined art with architecture, experience with youth and education with networking. Charleston was the perfect place to hold “Enduring Places.”

The Institute of Classical Architecture & Art's inaugural conference combined art with architecture, experience with youth and education with networking. Charleston was the perfect place to hold "Enduring Places."

Because I am the volunteer president of ICAA’s Washington, D.C., Mid-Atlantic Chapter, and TRADITIONAL BUILDING editor Nancy Berry is the president of ICAA’s New England Chapter, we got tickets to attend the recently held ICAA “Enduring Places” Conference in Charleston. And with no exaggeration, these tickets were as sought after as a Taylor Swift concert!

The topics presented and discussed at this conference were craftsmanship, preservation, and sustainability. Included in the weekend event was “Works from Emerging Practitioners of the Classical Tradition,” an exhibition of young artists at the historic Aiken-Rhett House.  

ICAA is firmly committed to encouraging young artists, and to acknowledging the important connection between architecture, interiors and the allied arts. The ICAA is also committed to embracing and educating the next generation of classicists, be they designers, builders, building artisans, artists or patrons. This was evidenced by the interaction, at the coffee breaks and cocktails, between our industry veterans and the emerging professionals in attendance.

Courtesy of ICAA

ICAA’s annual publication, the CLASSICIST made its debut in Charleston with 130 glossy four color pages of New England architecture, from Vermont farmhouses to Greek Revival churches, and neoclassicism of all building types in that region.

In addition to classroom seminars, like “Redefining and Measuring Sustainability Through the Lens of Traditional Architecture;” and “Integrating Town-Making and Mixed- Income Housing,” there were architectural tours around Charleston, the “Holy City.”

I was particularly impressed by  our tour of the American College of the Building Arts, whose president, provost, faculty, and students we were able to meet and learn from.

The American College of the Building Arts trains young craftspeople in plaster making, stone carving, blacksmithing, preservation carpentry including timber framing; and gilding, offering graduates a Bachelor of Applied Sciences degree and the skills to work in the traditional building market. The school was born after hurricane Hugo destroyed much of the historic fabric of the city. Charleston needed preservation craftspeople to repair the damage. With about 150 students, this school both teaches and celebrates the allied arts that traditional building depends on!

Other tours included Catfiddle Street, Charles Elliott House; John Ravenel House; The Charleston Gaillard Center designed by David M. Schwarz Architects; Courier Square and Line Street designed by Gary Brewer of Robert A. M. Stern Architects.

Courtesy, Yale University Press

Author, architect, and emeritus professor at the University of Pennsylvania Witold Rybczynski gave a charming presentation, based on his book, Charleston Fancy: Little Houses and Big Dreams. Here he showed us photos of neo-classical, “miniature” houses under 1,000 square feet, Palladian inspired with richly appointed interiors. Likewise, another small house advocate, Steve Mouzon was part of a distinguished panel of speakers who discussed small, smart energy efficient, classically designed houses such as the famed Katrina Cottages of New Orleans.

There is no better place than Charleston to learn from and appreciate traditional buildings. This 18th-century city provided a perfect setting for the Institute of Classical Architecture & Art’s event, “Enduring Places.”

Peter H. Miller, Hon AIA, is the publisher of TRADITIONAL BUILDING and PERIOD HOMES, the producer of The Traditional building Conference Series, the author of a monthly blog "For Pete's Sake" and host of the "Building Tradition" podcast. This business-to-business platform is part of Active Interest Media. AIM also publishes OLD HOUSE JOURNAL; ARTS and CRAFTS HOMES; FINE HOMEBUILDING; TIMBER HOME LIVING; ARTISAN HOMES ; FINE GARDENING; HORTICULTURE and several other titles for home arts professionals and enthusiasts. The AIM integrated media portfolio serves 50 million homeowners, home buyers, architects, builders, interior designers, landscape designers, building artisans, and building owners. Pete lives in a Sears house, a 1924 Craftsman four-square which he has lovingly restored. Before joining AIM, Pete co-founded Restore Media in 2000, which he sold to AIM in 2012. Pete participates actively with the American Institute's Historic Resources Committee and serves as the president of the Institute of Classical Architecture and Art Washington DC Mid Atlantic chapter. He is a long-time member of the National Trust for Historic Preservation and an advocate for urbanism, the revitalization of historic neighborhoods and the benefits of sustainably including the adaptive use of historic buildings. 
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